Now to post the image of the large drawing. It was suggested by a committee member that I change the scale of the charcoal pieces. Several have taken issue with them, in that they are 18 x 24, or even that they are such a regular, rectangular format that simply suggests photography. They wish to see something that breaks out of the bounds a little bit.
It was also suggested that I alternately project the drawings onto a wall, so that their ephemerality is even more exaggerated than just the fact that they are charcoal "stills".
While still pondering those possibilities, I plan on making several large drawings on tracing paper. This way, the support is very thin and fragile and coated with charcoal dust that threatens to simply brush off. In order to get such a large surface, I tore out sheets from a pad and simply rice-pasted them together. There are obvious seams that pucker and affect the texture of the drawing. I kind of like this attention that is drawn to the support material itself.
The texture behind is of the wallpapered board in my studio used as a prop in the earlier installation piece. It's about 6 ft tall.
I kind of like isolating this image. Perhaps I'll draw it again, and there will be several speakers lined up in succession on a wall. I also plan on a large telephone, electrical wires, and possibly a gramophone horn. More on the meanings of this imagery later... But in the meantime, darn you Kentridge : ) I'm sure I'll get harassed about charcoal speakers for sure. At least I don't have them marching yet.